Devin Tuel – vocals, guitar
Stephen Harms – bass, organ, vocals
Devin Tuel may consider herself to be an artist meant for a different time, but she now finds herself inhabiting her own true place. The singer-songwriter is at home in Newburgh, NY reflecting on her third album, Happier Now, released under her nom de plume, Native Harrow, as well as the difficult sojourn the former ballerina and classically trained singer has had to traverse to become the writer and performer she was meant to be. “This record is about becoming your own advocate. Realising that maybe you are different in several or a myriad of ways and that that is okay. And further, it is about me becoming a grown woman,” Tuel says.
After nearly two decades of rigorous training in ballet, theatre, and voice, Tuel needed to break out of the oppressive rules of academia and find her natural voice, write from her heart, and figure out what kind of performer she truly was rather than the one she was being moulded into from the age of 3. “I spent my early twenties playing every venue in Greenwich Village, recording demos in my friend’s kitchen, and making lattes. I felt very alive then. I was on my own living in my own little studio, staying up all night writing; the dream I had of being a bohemian New York City artist was unfolding. I wanted to be Patti Smith. I was also heartbroken, poor, and had no idea what I was getting myself into. My twenties, as I think it goes for most, were all about getting up, getting knocked down, and learning to keep going. I never gave up and I think if I told 20-year-old me how things looked 9 years later she’d be so excited”.
Happier Now (out 2nd August on Loose), is a set of nine songs recorded and mixed by Alex Hall (JD McPherson, The Cactus Blossoms, Pokey LaFarge) at Chicago’s Reliable Recorders. The album was co-produced by Hall, Tuel, and her bandmate, multi-instrumentalist Stephen Harms.
Native Harrow cuts out clear and vibrant narratives on fear, love, the open road, ill-fated relationships, and coping with the state of the world. “I wanted to share that I made it out of my own thunderstorm. I had experienced the high peaks and very low valleys of my twenties. I saw more of the world on my own, got through challenges, reveled in true moments of triumph… but all the while the world around me was growing louder, wilder, and scarier. Music for me is a place to be soft. This album was my place to feel it all.”
Happier Now’s nine songs were written during three back-to-back tours across North America supporting the band’s second album, Sorores. The album was recorded in just three days in March 2018 during what Tuel jokingly calls “downtime” in the middle of the grueling 108 date tour. Tuel approached the sessions like a musicians’ workshop, each morning beginning with the songwriter presenting her collaborators with the day’s material. The trio rehearsed and documented each song live on the floor, tracking as a band through each take. No click tracks, scratch tracks, or even headphones; just three musicians in a small room, captured with Hall’s collection of vintage mics and some subtle retro production techniques. Overdubs, including vocal harmonies, B3 organ, Rhodes, and the rare lead guitar were added to decorate these live performances. The creative energy of the tightly-knit sessions spilled over into Tuel’s songwriting as well – she skipped lunch on the third and final day of recording to pen the road-weary “Hard To Take”. Four days after arriving in Chicago, Native Harrow was back on the road and Happier Now was complete.
Happier Now oscillates between feeling the sting of uncertainty (“Can’t Go on Like This”), the beauty of California (“Blue Canyon”) and the ache for lavish stability (“Way to Light”). You could say Tuel wears her heart proudly on her sleeve, but that’d be underplaying the exact gravity of her stories. Each starlit image is framed within her warm, enveloping vocals and the careful, profound considerations of Harms’ musicianship. Start to finish, the new record pours forth from her very bones, and you get the overwhelming sense she has never been more daring and honest than right now.
Photo credit: Marcus Maddox
Click individual images to download hi-res version
Artist: Native Harrow
Title: Happier Now (Album)
Release date: 2 August 2019
Catalogue no.: VJCD250
Formats: CD / Digital / Vinyl
1. Can’t Go On Like This
2. How You Do Things
3. Blue Canyon
4. Happier Now
5. Hard To Take
6. Something You Have
7. Round and Round
8. Hung Me Out To Dry
9. Way To Light
“gorgeous folk and Americana tinged sounds… Something You Have is a wondrously swoonsome ode”
RECORD OF THE DAY
“Can’t Go On Like This” calls to mind the folk-pop giants of yesteryear, but vocalist and guitarist Devin Tuel’s flowy, spiritual voice is timeless, and its fluttering beauty will spark a lump in your throat. Wrapped around a general sense of self-doubt are discernible tones of gentle warmth and humble charm, and its healing qualities shouldn’t be underestimated.”
“Native Harrow will bring you back to the early 60’s NYC Greenwich Village folk scene, the dimly lit listening rooms filled with wooden tables and cigarette smoke, and people quietly listening to someone singing an original song and playing an acoustic guitar”
“Spectral folk pop atmospherics created by dreamy lead guitar melodies, stretched rhythms, and reverby vocals.”
THE MODERN FOLK MUSIC OF AMERICA
“Native Harrow is one of our new favorite artists. Devin Tuel’s voice recalls a time when music came from the soul. Backed by a thumpy rythym section and swirling Hammond organ, “Something You Have” is like a musical time capsule that is ready to be heard by the world.”
“Frontperson Devin Tuel has a soul-filled voice and a perspective that considers the world surrounding her through the lens of what came before and led us to this point — whether it be her childhood informing her adult emotional state, or the music of another generation rippling into her own.”
“Happier Now cements itself as a great album by saving the best for last. “Way To Light,” a sarcastic fantasy about the love of material goods, is a building slow burn, with a hint of “Dear Prudence” and some fantastically eerie slide guitar.”